
The timing alone raised my eyebrows. Disney just announced massive expansions to its parks. Worlds of Frozen launched. A new Olaf robot stole the entire internet for twenty-four hours. Zootopia 5D replaces an old attraction. The holiday crowds are rolling in. Suddenly, the Zootopia sequel lands on Thanksgiving weekend like a perfectly coordinated piece of corporate choreography. As a proud Disney adult, I understand the strategy. The business side of me even admires the precision. But the movie lover in me wants to grab a whiteboard and write the word frustration in giant letters. Recycling is fantastic for the environment. Recycling stories is starting to feel like homework.
I went in hopeful. I always do. I adore Disney. I grew up with it. I still tear up in the parks. I have favorite animators. I have favorite background artists. I have opinions about parade choreography. So I sat down with popcorn, settled my kid next to me, and prepared to jump back into the universe I loved eight years ago. For the first twenty or thirty minutes, I waited for the spark. Then I waited some more. Then I started shifting in my seat. Eventually, my body made the decision for me. I fell asleep. Ten minutes later, my kid woke me up because he wanted me to open a snack bag for him. That was the moment I realized the movie had completely lost me.

To be fair, the final act had energy. The pacing improved. The jokes landed better. There were references to other movies that felt playful rather than desperate. I actually enjoyed parts of the ending more than anything in the first hour. The problem is the path it takes to get there. Zootopia 2 spends so much time trying to recreate the charm of the original that it never finds its own personality. Instead of building on the world, it throws characters into scenes that feel more like a collage of ideas than a purposeful story. I kept thinking I was watching another Sing movie. A lot of characters, a lot of noise, a lot of color, and a surprisingly small emotional core.
There are fun moments. I do not want to take that away. The animation is beautiful. The team still knows how to build a city that feels alive. Judy and Nick remain iconic. Some jokes genuinely made me laugh. Kids around me seemed fully entertained. Disney knows how to hold a young audience. That part of the formula still works. What does not work is the feeling that this sequel needed to exist for reasons beyond storytelling. The heart of the original Zootopia spoke loudly. The sequel feels like it arrived because the parks needed new synergy.

The story tries to explore themes of performance, identity, and public pressure, but the ideas never go deep enough to matter. They skim the surface. They appear, then disappear. They sit there without growing into anything meaningful. The first movie worked because it trusted viewers to follow complex themes. Zootopia 2 treats the audience like we might get bored if the scene lasts longer than a TikTok. Everything moves fast, which can be fun, but it also leaves nothing to hold onto.
I kept wishing I would enjoy it. I even gave myself internal pep talks halfway through. Maybe the next scene will pull me in. Maybe the characters will surprise me. Maybe the movie will reveal a layer that explains the eight-year wait. Instead, it kept floating in the middle. Not bad. Not bold. Not memorable. Just a smooth, lukewarm middle that never takes a risk. Disney has always been at its best when it takes a creative leap. Zootopia 2 stands perfectly still.

Walking out of the theater, I felt a mix of disappointment and loyalty. I will watch the next Disney movie. I will visit the parks. I will probably end up loving something unexpected again. That part of me never goes away. But I also want Disney to trust us enough to bring something fresh. Something daring. Something that does not feel like a strategic release tied to a park update. Give me a story that feels alive, not recycled.
Zootopia 2 is not terrible. Kids will have fun. Families will enjoy the visuals. The final act is solid. It is simply a mehhh. A movie that fills two hours without leaving a mark. I wanted magic. I got a polite shrug. I will always love Disney. Just maybe not this particular chapter.
